Audio Arcade

Niko Rubio's "Sunshine" is a vibrant song that will leave you feeling energized and uplifted. The track is infused with a catchy, electronic pop sound that is reminiscent of artists like Daft Punk and Calvin Harris. One of the standout features of "Sunshine" is Niko Rubio's strong vocal performance. Her voice is smooth and effortlessly glides over the infectious beat, delivering fun and optimistic lyrics. The chorus is particularly catchy and is sure to get stuck in your head after just one listen. The production of "Sunshine" is also noteworthy. The song features a blend of electronic and acoustic instruments, with particularly prominent synths and drums. The mix is well-balanced and creates a dynamic soundscape that perfectly complements the song's positive and lively energy. Overall, "Sunshine" is an excellent track that showcases Niko Rubio's musical talent and potential. It's a feel-good song that's perfect for sunny

Temples, the British psychedelic rock band, have released a new single titled 'Afterlife', which is the latest track to be revealed from their forthcoming album 'Exotico'. Produced by Sean Ono Lennon and mixed by Grammy award-winner Dave Fridmann, the single continues to build anticipation for the album, set to be released on 14th April via ATO Records. The band members have shared their thoughts on the song and album, with Thomas Walmsley saying that they envisioned a journey across an imagined place, with 'Afterlife' being one of the evening tracks as they move towards twilight. Meanwhile, lead singer and guitarist James Bagshaw reflect on the song as being about long-distance relationships and the balance between love and isolation. He talks about the feeling of loneliness and the hope that seeing a light in the distance can bring, knowing that they will meet again. This latest single follows previously released tracks 'Cicada' and 'Gamma Rays'

London-based singer-songwriter Bakar has released a new single titled ‘Pit Stop,’ following his previous collaboration ‘In Disguise’ with Manchester rapper Aitch. This single is the first glimpse of new music from the artist, but no information about a new release has been shared yet. Bakar's debut album, ‘Nobody’s Home’, was released in February 2021, following the ‘Will You Be My Yellow’ EP from 2019, and the debut mixtape ‘Badkid’ from the previous year. Bakar's music is known for its diverse influences, as he blends elements of grungy jazz and clattering punk, reminiscent of artists like King Krule and Bloc Party. The track ‘All In’ stands out for its King Krule-esque grungy jazz vibe, while ‘Dracula’ has a menacing tone that borders on clattering punk. Bakar's music embodies the youthful eclecticism that characterizes modern British music. ‘Pit Stop’ offers a new sound from Bakar, with a more upbeat and energetic style that is different from his previous work. It showc

  Nothing But Thieves has been on an upward trajectory, with their last three albums landing in the UK top ten. Now, they're ready to release their fourth album, Dead Club City, on July 7th. The first single, "Welcome to the DCC," is already out, and it hints at a possible concept album. "Welcome to the DCC" begins with a heavy guitar riff that transports you to the 1980s, with strong synths and a pounding beat. The song has clear echoes of various artists such as The Killers, Scissor Sisters, and Daft Punk, but the distinctive quality of Conor Mason's lead vocals sets it apart. It's difficult to pinpoint the origins of Mason's unique voice, with elements of Simon Le Bon in the mix. However, his high pitch adds to the track's uniqueness. The guitar and synth combo provides the song's hook. The track's overall sound and feel show that Nothing But Thieves is back with a bang. The band's focus on strong instrumentation, as well as the un

Prog-rock was once considered the intellectual and spiritual side of rock, but it lost its appeal with the rise of hard drugs and hippie culture. However, at the turn of the century, it saw a revival in the form of acid-punks which expanded the genre into anthemic kaleidoscopes of death, nostalgia, and drugs. Yves Tumor's latest album, Praise A Lord Who Chews But Which Does Not Consume; (Or Simply, Hot Between Worlds), carries its influences on its sleeve and sounds less like Pink Floyd and more like The Flaming Lips, Tame Impala, and The Mars Volta. The album is rich in texture and diverse in tone, but often ponderous and wrestling with its structure. While Yves Tumor's previous album, Safe in the Hands of Love, was too surreal and cerebral to pinpoint adequately, Heaven to a Tortured Mind took the various identities of black musicians and formulated them as a unit. Praise A Lord Who Chews But Which Does Not Consume; is more incidental and associative, wrapping itself loosely